As the saying goes, "If there is no painting or calligraphy in the family, it must be a vulgar family." Since ancient times, people have liked hanging or collecting calligraphy and paintings in their rooms. Apart from artistic appreciation, they have brought more spiritual "enjoyment" to collectors. As the essence of Chinese traditional culture, calligraphy and painting works of art have a long history. The acquisition of Celebrity Calligraphy and Painting Center reminds us that both ancient and contemporary paintings and calligraphy will continue to appreciate with the passage of time. Besides the inheritance and dissemination of characters, the collection of calligraphy and painting has also become a means of investment. Faced with the vast market of painting and calligraphy, how can we collect a good and valuable painting and calligraphy works?

1.多看真跡，心中有底“欲辨?zhèn)蜗茸R(shí)真”，不管是珍藏古代書(shū)畫(huà)還是現(xiàn)代書(shū)畫(huà)，都應(yīng)盡可能的多看作者的真跡，理解作者各個(gè)時(shí)期的用筆、用墨、用色、印章、落款等特性。心中有底，在一定水平上也防止了自覺(jué)跟風(fēng)隨大流的珍藏。

1. Look at the authentic works more and know the truth first. Whether collecting ancient paintings or modern paintings, we should look at the authentic works as much as possible and understand the characteristics of the author's pen, ink, color, seal and style in different periods. To a certain extent, it also prevents the collection from following the trend consciously.

2.作偽辨認(rèn)，防止受騙。作偽是書(shū)畫(huà)市場(chǎng)的常見(jiàn)現(xiàn)象，稍不留意，就有可能受騙上當(dāng)。從市場(chǎng)上看，傳統(tǒng)的作偽方式主要有摹本、臨本、造本、仿本、假畫(huà)、真跋、改添落款等幾種。而現(xiàn)代的作偽更是將高科技手腕引入其中。因而，多理解一些作偽的手法也是很有必要的，以不變應(yīng)萬(wàn)變，識(shí)破作偽者的“小手段”。

2. Make false identification to prevent cheating. Falsification is a common phenomenon in the painting and calligraphy market. If you don't pay attention to it, you may be deceived. From the market point of view, the traditional counterfeiting methods mainly include copying, copying, copying, fake paintings, postscripts, adding new entries and so on. And modern counterfeiting is the introduction of high-tech wrist. Therefore, it is necessary to understand more of the counterfeiting methods, so as to keep unchanged and to identify the "small means" of the counterfeiters.

3.儲(chǔ)藏學(xué)問(wèn)，學(xué)會(huì)鑒賞。書(shū)畫(huà)珍藏，靠眼力更靠學(xué)識(shí)。珍藏書(shū)畫(huà)要懂得鑒賞書(shū)畫(huà)。學(xué)習(xí)審定就要豐厚本人的學(xué)問(wèn)。不管是喜歡古代書(shū)畫(huà)還是喜歡現(xiàn)、當(dāng)代書(shū)畫(huà)，都離不開(kāi)相應(yīng)的學(xué)問(wèn)。我國(guó)書(shū)畫(huà)史上產(chǎn)生的書(shū)畫(huà)作品不可勝數(shù)。因而，十分有必要從各種書(shū)畫(huà)類工具書(shū)中吸取營(yíng)養(yǎng)，加強(qiáng)鑒別書(shū)畫(huà)的涵養(yǎng)和才能。

3. Store knowledge and learn to appreciate it. Calligraphy and painting collection depends more on eyesight than knowledge. To treasure books and paintings, we must first understand how to appreciate them. To study and approve is to enrich my knowledge. Whether you like ancient painting or contemporary painting or calligraphy, you can not do without the corresponding knowledge. There are countless works of calligraphy and painting in the history of Chinese painting and calligraphy. Therefore, it is very necessary to absorb nutrition from various reference books of calligraphy and painting, and strengthen the cultivation and ability of identifying calligraphy and painting.

4.書(shū)畫(huà)珍藏，量入為出。關(guān)于書(shū)畫(huà)珍藏，要量入為出，不要做超越本身才能的投資。特別在起步階段，更要當(dāng)心慎重。固然高價(jià)位作品珍藏價(jià)值普通較高，但價(jià)位過(guò)高的書(shū)畫(huà)作品，不利于在市場(chǎng)通，也不便于普通私人珍藏。因而對(duì)入門(mén)者來(lái)講，留意那些中等名家的作品，常常價(jià)錢(qián)不高，但質(zhì)量較好。

4. Collection of painting and calligraphy. As for the collection of calligraphy and painting, we should live within our means and not invest beyond our abilities. Especially in the initial stage, we should be more careful. Although the value of high-priced works is generally high, the high-priced works of calligraphy and painting are not conducive to circulation in the market, nor to ordinary private collection. Therefore, for beginners, it is better to pay attention to the works of those middle-class masters, which are often inexpensive but of better quality.

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