齊白石在近現(xiàn)代畫家中聲譽(yù)是非常高的，他畫的題材中山水是少的，難得一見的山水作品一次就能見到十二幅，可謂彌足珍貴，能在市場上見到的更是鳳毛麟角。濟(jì)南名人字畫回收中心提示大家，從這套《山水十二條屏》創(chuàng)作時(shí)間1925年來看，當(dāng)時(shí)的齊白石62歲，正是“衰年變法”改變繪畫風(fēng)格的第四個(gè)年頭，他的思想境界和藝術(shù)追求都跨越到一個(gè)新時(shí)期。這時(shí)的齊白石拋卻此前山水的程式，進(jìn)入“一洗凡塵萬事空”的真山真水創(chuàng)作境界，這件作品幾乎囊括了齊白石所有山水畫題材，可謂齊白石山水創(chuàng)作升華的集大成者。
Qi Baishi's reputation among modern painters is very high. His paintings on Zhongshan River are the least. Twelve rare landscapes can be seen at one time, which is precious and rare in the market. Jinan Celebrity Calligraphy and Painting Recycling Center reminds you that from 1925, when Qi Baishi was 62 years old, it was the fourth year in which the "Decline of Age" changed the painting style. His ideological realm and artistic pursuit had leaped to a new era. At that time, Qi Baishi abandoned the formulas of Chinese landscape and entered the realm of real landscape creation of "washing all the dust and everything is empty". This work almost covers all the themes of Qi Baishi's landscape paintings, which can be regarded as the epitome of the sublimation of Qi Baishi's landscape creation.
齊白石藝術(shù)研究認(rèn)為：“這十二條屏，把遠(yuǎn)游印象、寫生畫稿、前人模式（如金農(nóng)畫遠(yuǎn)景荷花）和居北京后的創(chuàng)作經(jīng)驗(yàn)熔于一爐，構(gòu)圖簡潔，境界新奇，有濃郁的現(xiàn)實(shí)生活氣息；畫法則集勾勒與潑墨為一體，間有鮮艷的著色。可以說，這套條屏具有總結(jié)性，很大程度上標(biāo)志了齊白石山水畫的成熟。”
Qi Baishi art research experts believe: "These twelve screens, the impression of long-distance travel, sketches, predecessor models (such as Jinnong painting prospect lotus flower) and creative experience after living in Beijing melt into one furnace, concise composition, novel realm, rich flavor of real life; painting principles set outline and splash ink as one, with bright colors. It can be said that this set of screen is summative, to a large extent, marking the maturity of Qi Baishi landscape painting.
齊白石《山水十二條屏》天價(jià)成交，不僅從市場層面肯定了齊白石作品的藝術(shù)價(jià)值，也是綜合經(jīng)濟(jì)實(shí)力的體現(xiàn)。未來他還是有可能超越西方大師作品的畫家之一。
Qi Baishi's "Twelve Screens of Mountains and Rivers" has been sold at a high price, which not only affirms the artistic value of Qi Baishi's works from the market level, but also reflects China's comprehensive economic strength. He is also one of the most likely Chinese painters to surpass the price of Western masterpieces in the future.
書畫拍賣市場不斷的發(fā)展，也意味著國人對于藝術(shù)的魅力認(rèn)知有了進(jìn)一步的提升。書畫屬于藝術(shù)瑰寶，而一個(gè)對書畫充滿樂趣和興趣的人，幾乎也是優(yōu)雅而有品味的。關(guān)注北文書畫平臺(tái)，了解更多書畫知識(shí)，洞察市場前沿，與藝術(shù)共舞。
The continuous development of Chinese painting and calligraphy auction market also means that Chinese people's understanding of the charm of art has been further improved. Calligraphy and painting belong to the art treasure, and a person who is full of fun and interest in painting and calligraphy is almost elegant and tasteful. Pay attention to Beiwen Painting Platform, learn more knowledge of painting and calligraphy, insight into the forefront of the market, and dance with art.
本文由濟(jì)南名人字畫回收中心友情奉獻(xiàn)，更多有關(guān)的知識(shí)請點(diǎn)擊：
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