工筆畫(huà)用線(xiàn)的疏密、粗細(xì)、曲直、力度彈性以及虛實(shí)變化,更多地體現(xiàn)了工筆畫(huà)的節(jié)奏和韻律。工筆畫(huà)去除了色彩其實(shí)就是完整的線(xiàn)描圖,可以說(shuō)好的工筆畫(huà)要有好的線(xiàn)條,線(xiàn)條的魅力是工筆畫(huà)成功的一半。
The density, thickness, curvature, strength and flexibility of meticulous painting line and the change of virtual reality reflect the rhythm and rhythm of fine brushwork. Meticulous painting in fact is a complete line of color painting, which can be said to have good lines, the charm of the line is half of the success of the painting.
收購(gòu)名人字畫(huà)工筆線(xiàn)條雖然有很強(qiáng)的平面性和裝飾性,但它所表現(xiàn)出的空間感不可小覷。其實(shí)國(guó)畫(huà)的空間感也就是畫(huà)的“透視”,當(dāng)然,它不同于西畫(huà)的焦點(diǎn)透視,而以散點(diǎn)透視為主。講究“步隨景移”,更多的時(shí)候只要能清晰表達(dá)出描繪物體的前后、上下、左右關(guān)系即可,并不嚴(yán)格考究局部的造型精準(zhǔn),這也是畫(huà)重要的審美特征之一。
The acquisition of celebrities' calligraphy and painting meticulous lines has strong planarity and decoration, but its spatial sense can not be underestimated. In fact, the sense of space in Chinese painting is the perspective of Chinese painting. Of course, it is different from the focus of Western painting and scattered perspective. It is also one of the important aesthetic features of Chinese painting that we can express the relationship between the front and back, the upper and the lower, and the right and left relations clearly.
工筆畫(huà)造型主要體現(xiàn)在“應(yīng)物用線(xiàn)”,不同的表現(xiàn)對(duì)象,采取不同的用筆理念和技巧。如輕盈的花瓣宜用游絲描、凝重的葉子宜用鐵線(xiàn)描、木本枝干宜用逆鋒澀筆、草本莖藤宜用中鋒潤(rùn)筆等等。

The style of fine brushwork is mainly reflected in the "object line", with different objects and different ideas and techniques. For example, the petals should be painted with gossamer, the heavy Ye Ziyi should draw with the wire, Kimoto Emiki should use the reverse front pen, the herb To should use the center to polish the pen and so on.
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