印章作為鑒定書畫的一個(gè)主要方面，是必須重視的，因?yàn)閷τ跁媮碚f，大多都是有印的。如果一幅標(biāo)明清中期作品上的印章與已知的確為真跡上的印章完全一致，其他方面又無疑問，基本上就可以斷定為真跡。因?yàn)樵谝话闱闆r下，臨摹復(fù)制的印章多少都會與原印有所不同，印章是極難仿制得與原印一模一樣的。下面濟(jì)南字畫鑒定評估中心就給大家講一講如何通過印章鑒別字畫真?zhèn)危∠Ｍ麑Υ蠹矣兴鶐椭?br /> Seals, as a main aspect of appraising calligraphy and painting, must be paid attention to, because for Chinese calligraphy and painting, most of them are printed. If the seal on a work marked in the middle of Qing Dynasty is identical to the seal on a known authentic work, and there is no doubt about other aspects, it can be basically determined as authentic. Because in general, the copy of the seal will be somewhat different from the original seal, seal is very difficult to copy the same as the original seal. Now Jinan Calligraphy and Painting Evaluation Center will tell you how to identify the authenticity of the calligraphy and painting through the seal! Hope to help you all!
從印章上鑒別，會出現(xiàn)所見印章與真跡印章的一些差異。如印文的粗細(xì)，邊框的寬窄、破損，印跡的清晰與模糊等。這可能有以下幾個(gè)原因：一方印章初用和久用會有所不同，初用的印章，字跡會清楚一些，用久了，印章的清晰程度會發(fā)生變化。此外，印泥的好壞、濃淡、干濕等，也會使印章鈐蓋后產(chǎn)生變化。邊框的寬窄與蓋印時(shí)的用力和下墊物有關(guān)，有時(shí)會產(chǎn)生寬窄不同的變化。印跡的清晰程度又與使用印章的人的手法有一定關(guān)系，有人蓋印用力大，有人用力小，有人稍加搖晃，此外，下墊物的質(zhì)量與多少，天氣的冷暖，久置不用的印泥與經(jīng)常使用的印泥，這些都會使鈐出的印章效果不同，有的人還在剛蓋過印章的印跡上撒上一些白粉或色粉，以防止書畫作品擠壓時(shí)的沾污。經(jīng)常擦拭或刷洗的印章，與不經(jīng)常擦拭刷洗的印章蓋出的印跡也有所不同。一幅名家的書畫作品，其印章也應(yīng)該具有一定的藝術(shù)水平。特別是文字上不能有錯(cuò)誤，一個(gè)著名的書畫家，是不可能經(jīng)常出現(xiàn)寫錯(cuò)字、用錯(cuò)字的現(xiàn)象的。
From the seal identification, there will be some differences between the seen seal and the authentic seal. For example, the thickness of the seal, the width and narrowness of the border, the damage, the clarity and blur of the impression, etc. This may be due to the following reasons: the first and last use of a seal will be different, the first use of the seal, the handwriting will be clearer, over time, the clarity of the seal will change. In addition, the quality, consistency, dry and wet of the mud will also change the seal after the cover. The width of the border is related to the stamping force and the underlying material. Sometimes the width varies. The clarity of the impression has something to do with the method of the person who uses the seal. Some people stamp hard, others stamp hard, others shake slightly. In addition, the quality of the underlying material, the cold and warm weather, the long-term unused impression and the commonly used impression will make the impression of the stamp different, and some people will also make the impression of the stamp different. Sprinkle some white powder or color powder on the imprint that has just been stamped to prevent contamination when painting and calligraphy works are extruded. Seals that are often wiped or scrubbed are also different from those that are not often scrubbed. The seal of a famous painter's calligraphy and painting should also have a certain artistic level. Especially in writing, there can be no mistakes. A famous painter and calligrapher can not often make mistakes in writing and using them.

鑒別印章還要看印泥的色澤，一幅古畫印章的顏色，雖然可能是鮮艷的，但它總會有飽經(jīng)歲月、歷盡滄桑的變化，顏色會變得渾厚而沉著。
Identifying seals also depends on the color of the mud. Although the color of an ancient painting seal may be bright, it will always have changes that have experienced many years and vicissitudes, and the color will become thick and calm.
現(xiàn)代的很多書畫家，往往繼承傳統(tǒng)不夠，基本工較差，總想標(biāo)新立異，只重構(gòu)圖，不重筆墨，沒有書法的基礎(chǔ)，更對篆刻沒有研究，通過印章來分析他們的作品，是極為困難的，他們的印章大多由別人代刻，蓋在自己的作品上，于風(fēng)格是否協(xié)調(diào)一致，那就因人而異了。
Many modern painters and calligraphers often inherit the tradition insufficiently, have poor basic skills, always want to be innovative, only reconstruct pictures, not heavy ink, no foundation of calligraphy, and no research on seal engraving. It is extremely difficult to analyze their works through seals. Most of their seals are engraved by others and stamped on their own works. Whether the style is consistent or not varies from person to person.
每個(gè)時(shí)代的藝術(shù)品有每個(gè)時(shí)代的風(fēng)格特征，印章也是這樣，書畫上的印章必須與時(shí)代風(fēng)格相一致，如不這樣，必然是贗品。如清中期以前的書畫作品，不可能出現(xiàn)甲骨文字的印章。
Art works of each era have the style characteristics of each era, and so do seals. Seals on paintings and calligraphy must be consistent with the style of the times. If not, they must be fakes. For example, the seal of oracle-bone script could not appear in the painting and calligraphy works before the mid-Qing Dynasty.
今天小編暫且先和大家聊到這里，希望本編文章能夠幫助到您，如果您對此還有疑問，詳情請咨詢濟(jì)南字畫鑒定評估官網(wǎng)的客服人員：http://www.lebigueone.com
Today, Xiaobian will talk to you for a moment. I hope this article can help you. If you have any questions about this, please consult the customer service staff of Jinan Portrait Identification and Evaluation Official Website at http://www.lebigueone.com for details.