書(shū)畫(huà)藝術(shù)要做到了,也就是說(shuō),作者必須繼承了傳統(tǒng)書(shū)法的技能水平。
Painting and calligraphy should be the first, that is to say, the author must inherit the skill level of traditional Chinese calligraphy.
第二個(gè)是享受書(shū)法技巧,繪畫(huà),如果正確使用,作者只要正常使用技巧都能作一幅畫(huà)。
The second is to enjoy calligraphy skills, painting, if used correctly, the author as long as the normal use of skills can make a painting.
第三,保護(hù)作者的藝術(shù)成就。作者再次創(chuàng)造有時(shí)候不一定使用傳統(tǒng)技巧,作者的獨(dú)特個(gè)性張揚(yáng),它應(yīng)該是一個(gè)能夠體現(xiàn)作者靈魂的作品。
Third, protect the author's artistic achievements. The author's re-creation sometimes does not necessarily use traditional techniques, the author's unique personality publicity, it should be a reflection of the author's soul of the work.
第四，好作品的欣賞取決于構(gòu)圖的布局,氣勢(shì)。主要為字間距,山水間距,適當(dāng)布局錯(cuò)落有致。一個(gè)看到作品的缺點(diǎn)。如錯(cuò)誤,pragraphs,非標(biāo)準(zhǔn)字符,畫(huà)出來(lái)的畫(huà)是否缺乏一些章節(jié)，內(nèi)容不,等等。
Fourth, the appreciation of good works depends on the layout and momentum of composition. Mainly for word spacing, landscape spacing, the appropriate layout is scattered. The last one saw the shortcomings of the work. Such as errors, pragraphs, non-standard characters, whether the painting lacks some chapters, content is not comprehensive, and so on.
三個(gè)鏡子
Three mirrors
反映了傳統(tǒng)書(shū)法方面的優(yōu)點(diǎn)和缺點(diǎn):書(shū)畫(huà)作品的優(yōu)點(diǎn)和缺點(diǎn),要看看這張畫(huà)顯示了作者的書(shū)法古代傳統(tǒng)的整體把握。換句話說(shuō),就是看看有多少時(shí)間作者在研究技法,如果拋開(kāi)歷史傳統(tǒng),不能稱之為書(shū)法。雖然還有
It reflects the strengths and weaknesses of traditional calligraphy: the strengths and weaknesses of calligraphy and painting works. First of all, we should look at this painting to show the author's overall grasp of the ancient Chinese calligraphy tradition. In other words, it is to see how much time the author has spent researching techniques that can not be called calligraphy if historical traditions are discarded. Although there are some
待觀察所有優(yōu)雅的內(nèi)容,反映了傳統(tǒng)文化和藝術(shù)大師,他自己的藝術(shù)修養(yǎng)和文化素養(yǎng)。只有兩者的結(jié)合,可使工作狀態(tài),能給觀眾以強(qiáng)烈的藝術(shù)魅力。照片在傳統(tǒng)功能,高文化背景的風(fēng)格,然后評(píng)估工作是否充分展示藝術(shù)創(chuàng)
All the elegant content to be observed reflects the traditional culture and artistic master, his own artistic and cultural accomplishment. Only the combination of the two can make the work status and give the audience a strong artistic charm. The photos are in traditional functional and high cultural background styles, and then evaluate whether the work adequately displays artistic creation.
造力,不同于別人的個(gè)性,傳統(tǒng)藝術(shù)個(gè)性是假的,是工匠的藝術(shù)。我不能離開(kāi)觀眾的感官刺激,影響,而不是藝術(shù)藝術(shù)。換句話說(shuō),這三個(gè)方面是一個(gè)個(gè)人書(shū)法水平三個(gè)鏡子,三個(gè)層次。
Creativity is different from the individuality of others. Traditional artistic personality is false and artisan's art. I can not leave the audience's sensory stimulation, influence, not art and art. In other words, these three aspects are the three mirror and three levels of personal calligraphy level.
藏書(shū)畫(huà)必須自己會(huì)寫(xiě)會(huì)畫(huà)嗎?答案是,
Is it necessary to write and draw pictures of the collection?
像古代書(shū)畫(huà)或現(xiàn)代和當(dāng)代書(shū)畫(huà)的集合,從相應(yīng)的知識(shí)是分不開(kāi)的。我們的有五千年的文明,有必要讀一些歷史的藝術(shù),欣賞,優(yōu)點(diǎn)和缺點(diǎn)的真實(shí)性的識(shí)別有很大幫助。欣賞的水平只需要慢慢的,看起來(lái)更正常,慢慢了
Like the collection of ancient calligraphy and painting or modern and contemporary calligraphy and painting, it is inseparable from the relevant knowledge. Our country has 5000 years of civilization, it is necessary to read some historical art, appreciate, the advantages and disadvantages of the authenticity of the identification is very helpful. The level of appreciation needs to be gradual and normal.
解更多作品的味道。中心有畫(huà),例如,如果你經(jīng)常寫(xiě)書(shū)法,書(shū)法中心可能出來(lái)的效果會(huì)更深刻的理解。并不是說(shuō)不畫(huà)或?qū)?你不能開(kāi)始書(shū)畫(huà)的鑒定方法。只要平時(shí)欣賞的書(shū)畫(huà)作品,消化和掌握的布局工作,繪畫(huà)、顏色,,在這些細(xì)節(jié)上,認(rèn)真的分析可以成為。
To understand the taste of more works. There are paintings in the center, for example, if you write calligraphy often, the effect of the center may be more profound to understand. It is not that no painting or writing, you can not start the identification method of calligraphy and painting. As long as you usually appreciate excellent calligraphy and painting works, digest and master the layout work, painting, color, in these details, careful analysis can become an expert.
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