When purchasing calligraphy and painting, we should pay attention to the following ten points. The following personnel from Shandong's acquisition of celebrity calligraphy and painting will explain to you:
一、真假問題：書畫市場贗品泛濫，購買名家書畫時，應請行家掌眼，以防買來假貨。穩妥的辦法是直接從書畫家手中購求，或從有信譽的書畫院處購買。
1、 The problem of authenticity: The calligraphy and painting market is flooded with fakes. When purchasing famous calligraphies and paintings, experts should be invited to keep an eye on them to prevent them from being purchased. The safe way is to purchase directly from calligraphers and painters or from reputable calligraphy and painting academies.
二、水平問題：書畫藝術水平的高低是衡量其收藏價值的基本因素，名家之作也未必幅幅都是精品，如應酬之作、敗筆之作便無法體現其應有的藝術水平，因而與精品的價值也大相徑庭。
2、 Level: The level of the art of calligraphy and painting is the basic factor to measure its collection value. Famous works may not necessarily be all high-quality works, such as entertainment works and failed works, which cannot reflect their due artistic level, and thus differ greatly from the value of high-quality works.
三、問題：名家書畫的定價不受物價部門的約束，書畫市場漫天要價的現象非常普遍，所以在購買名家書畫時，要了解行情，或請內行把關，以免上當。
3、 Price issue: The pricing of famous calligraphies and paintings is not subject to the constraints of the national price department. It is very common for the calligraphy and painting market to charge exorbitant prices. Therefore, when purchasing famous calligraphies and paintings, it is necessary to first understand the market situation or ask experts to check to avoid being deceived.
四、品相問題：品相是指書畫的“相貌”狀況，這些都是影響書畫價值的重要因素。如果購買古舊書畫，更應注意品相問題。
4、 Appearance: Appearance refers to the "appearance" of calligraphy and painting, which are important factors affecting the value of calligraphy and painting. If you buy ancient calligraphy and paintings, you should pay more attention to the quality issue.
五、尺幅問題：名家書畫的銷售有的以幅為計價單位。幅是指常規幅面，即不小于４尺３開者，有的則以平方尺為計價單位。所以同一位名家的作品，幅面越大，其價值越高。如幅面小于４尺３開的小品，其價值就不能與常規幅面的書畫相提并論。
5、 Ruler issue: Some sales of famous calligraphies and paintings are priced in pieces. The width refers to a conventional format, that is, no less than 4 feet by 3 inches, and some are priced in square feet. Therefore, the larger the breadth of the work of the same famous artist, the higher its value. "If the size of a sketch is less than 4 feet by 3 inches, its value cannot be compared to that of a conventional size of calligraphy and painting.".
六、代表作問題：所謂代表作主要是指書畫家擅長項目，如齊白石畫蝦蟹、徐悲鴻畫馬、黃胄畫驢、李可染畫山水或牛等。對書家而言，有的以草書見長、有的以篆書見長……如果書畫家的作品不是其擅長的項目，其價值即遜一籌。
6、 Representative works: The so-called representative works mainly refer to the projects that calligraphy painters are good at, such as Qi Baishi painting shrimp and crabs, Xu Beihong painting horses, Huang Zhou painting donkeys, and Li Keran painting landscapes or cows. For calligraphers, some are good at cursive script, others are good at seal script... If the works of calligraphers and painters are not their good projects, their value is inferior.
七、鼎盛時期問題：每位書畫家一生都有創作的鼎盛時期，這一時期的書畫作品，已經形成作者的風格，并能反映其應有的藝術功底和藝術水平。而書畫家早年的臨摹作品或成名前尚未形成個人風格的作品以及晚年體弱多病氣力不支之時的作品等，其價值顯然不能與其鼎盛時期的作品等同看待。
7、 The problem of the peak period: Every calligrapher and painter has a peak period of creation in his or her life. The calligraphic and painting works of this period have formed the author's style and can reflect his or her due artistic skills and level. However, the value of works copied by calligraphers and painters in their early years, works that had not yet formed their personal style before becoming famous, and works that were weak, sickly, and weak in their later years cannot be equated with the works of their heyday.
八、題款與用印問題：有的名家書畫有款無印或有印無款，或無印無款，或雖有款有印，但卻是借蓋他人閑章者，還有題上款者等等，因不能算作完善的作品，所以其價值便大打折扣。同樣的作品，長題或題詩者比窮款者價值應高一些。在古舊書畫中題上款者并不影響其價值。假如上款本身又是名人的話，反而更具價值。
8、 Question of title and seal usage: Some famous calligraphies and paintings have money or money, or money or money, or money or money, or even money and money, but it is borrowed to cover the official seal of others, as well as the money on the title, and so on. Because it cannot be considered a perfect work, its value is greatly reduced. The value of the same work should be higher for those who write long titles or poems than for those who write poor ones. The inscriptions on ancient calligraphy and paintings do not affect their value. If the above paragraph itself is a celebrity, it is even more valuable.
九、質地問題：書畫的質地是指作書作畫所用的紙或絹。也稱作“地子”。書畫質地的質量、使用效果以及其壽命都是影響書畫價值的因素。例如同一位名家的作品，質地是上好宣紙者，其價值應高于其他雜紙者。
9、 Texture: The texture of calligraphy and painting refers to the paper or silk used for painting and calligraphy. Also known as "land". The quality, use effect, and lifespan of the texture of calligraphy and painting are all factors that affect the value of calligraphy and painting. For example, if the work of the same famous writer is made of high-quality rice paper, its value should be higher than that of other miscellaneous papers.
十、裱工問題：裱工是指書畫裱件的裝裱質量。有的書畫裱件做工粗糙，或不平展，或殘脫，或有折痕，或受濕受污等等。這些情況不但影響懸掛和欣賞，而且危及書畫的壽命，也削弱了書畫應有的價值。
10、 Mounter Problem: Mounter refers to the mounting quality of calligraphy and painting mounts. Some calligraphy and painting frames have rough workmanship, or are not flat, or are torn off, or have creases, or are contaminated by moisture, and so on. These situations not only affect the suspension and appreciation, but also endanger the life of calligraphy and painting, and weaken the value of calligraphy and painting.
"The items to pay attention to when purchasing calligraphy and painting have been explained. If you have any doubts or needs about this, please come to our website." http://www.lebigueone.com Consult!
