書畫的保管是書畫收藏中一個重要的環節，倘若我們不惜重金千辛萬苦收藏的名家書畫因為保管不當而使其價值大打折扣，那會造成很大的損失。故
濟南收購字畫小編建議收藏書畫的朋友需從如下幾個方面注意書畫的保管：
The preservation of calligraphy and painting is an important link in the collection of calligraphy and painting. If the value of famous calligraphies and paintings collected by us at all costs is greatly reduced due to improper preservation, it will cause great losses. Therefore, it is suggested that friends who collect calligraphy and painting should pay attention to the preservation of calligraphy and painting from the following aspects:
1．暫不裝裱的書畫片不可隨便折疊摞起，否則存放時間一久就會從折疊處折斷，或在折處留下黑色折痕，以裝裱后影響美觀。如果要臨時欣賞，切不可用圖釘釘于墻上或用漿糊粘于墻上，否則會直接損壞書畫片。正確保存書畫片的方法是：可將書畫片下面襯一層幅面相當薄的宣紙或皮紙，以紙卷為軸將書畫片卷起，并用白紙或塑料膜包裝，放在畫盒內或書櫥內。
1. Books and paintings that are not mounted for the time being cannot be folded and stacked casually, otherwise they will break from the fold or leave black creases at the fold after being stored for a long time, which will affect the beauty after mounting. If you want to enjoy it temporarily, you must not use thumbnails or paste on the wall, otherwise it will directly damage the book and picture. The correct way to save the painting and calligraphy is to line the painting and calligraphy with a layer of rice paper or leather paper with a relatively thin width, roll up the painting and calligraphy with the paper roll as the axis, pack it with white paper or plastic film, and put it in the painting box or bookcase.
2.書畫裝裱后更應妥善保存，存放的地方要考慮防潮、防蛀、防鼠、防霉爛、防玷污等。可將每件書畫裝入一個塑料袋或布袋，也可用白紙包好，存放時要平放，切勿豎置，更不要在書畫上面放置重物使書畫受壓。如果有條件，可根據書畫規格配制畫盒，并在盒內放些樟腦和吸潮劑。
2. Painting and calligraphy should be properly stored after mounting. The storage place should first consider moisture-proof, moth-proof, rat-proof, mold-proof, tarnish-proof, etc. Each painting and calligraphy can be put into a plastic bag or cloth bag, or can be wrapped in white paper. When storing, it should be placed flat, not upright, and not put heavy objects on the painting and calligraphy to make the painting and calligraphy pressure. If conditions permit, the painting box can be prepared according to the painting and calligraphy specifications, and some camphor and hygroscopic agent can be put in the box.
3．書畫裱件存放時不宜卷得過緊或過松，更不可反卷。如果卷得過緊，天地頭兩側就會留下畫心與邊料接縫的壓痕，影響書畫的美觀，還可能導致裱件的變形或出現脫落；如果卷得過松，容易折毀書畫；如果反卷，會使書畫出現一道道折痕，特別是古舊書畫損害更大。
3. When storing the calligraphy and painting frames, they should not be rolled too tightly or too loose, and should not be rolled back. If the roll is too tight, there will be an indentation on both sides of the head, which will affect the beauty of the painting and calligraphy, and may also lead to the deformation or falling off of the frame; If the roll is too loose, it is easy to damage the calligraphy and painting; If you reverse the scroll, you will make a series of creases in the painting and calligraphy, especially the ancient painting and calligraphy.
4．懸掛和展示書畫時要謹慎從事。懸掛書畫時要一手持畫釵挑住畫繩，一手托住書畫未展開的部分，然后慢慢放開來將書畫掛起，取下畫釵。展示書畫時要一人牽引畫繩，另一人兩手持軸頭將書畫展開，切忌兩手向上持書畫中間部分，否則5指會將書畫劃出折痕。對于無軸頭的書畫作品，展示時要用兩指夾住，使畫件從指縫中通過。此外，還應注意書畫不宜長期懸掛，掛一段時期后要卷起收藏一段時間；對久存的書畫要定期掛出來通風。
4. Be careful when hanging and displaying calligraphy and painting. When hanging the painting and calligraphy, you should hold the painting rope with one hand, hold the unexpanded part of the painting and calligraphy with the other hand, and then slowly release it to hang the painting and calligraphy and take down the painting hairpin. When displaying the painting and calligraphy, one person should draw the painting rope, and the other person should hold the shaft head with both hands to unfold the painting and calligraphy. Do not hold the middle part of the painting and calligraphy with both hands upward, otherwise the five fingers will scratch the painting and calligraphy. For painting and calligraphy works without shaft head, use two fingers to clamp them to make the painting pass through the fingers. In addition, it should also be noted that paintings and calligraphies should not be hung for a long time, and they should be rolled up and collected for a period of time after hanging for a period of time; The long-stored books and paintings should be hung regularly for ventilation.
5．展示手卷、冊頁更要加倍注意，因手卷、冊頁的裝裱較其他書畫的裝裱復雜。手卷在展示時要放置平整的案頭或桌子上，注意案面或桌面不應有水點或臟物。手卷展開時不宜展得過長，要邊展邊卷。冊頁展開時不用手指翻，可用一個光滑而無毛刺的竹條插進冊頁夾頁之間翻頁。冊頁一般較厚，開始翻頁或翻到后幾頁會出現兩面薄厚不均，兩頁之間懸空，此時如果不注意壓住幅面中間的懸空處，則易造成折斷現象。
5. Pay more attention to the display of scrolls and albums, because the mounting of scrolls and albums is more complex than that of other paintings. The scroll should be placed on a flat desk or table during display, and there should be no water spots or dirt on the desk or table. The hand roll should not be extended too long when it is unfolded. It should be rolled while it is unfolded. When the album is unfolded, you can use a smooth and burr-free bamboo strip inserted between the album clips to turn pages. The album is generally thick. When you start to turn the page or turn to the next few pages, there will be uneven thickness on both sides, and there will be a gap between the two pages. If you do not pay attention to pressing the gap in the middle of the page at this time, it is easy to break.
In addition, whether old or new, as long as the original frame can still be hung and the painting core is not damaged, generally do not rush to remove the frame for repair, because one removal of the frame will damage the paper element of the painting once. If the original mounted painting falls off or the painting center is seriously damaged, it should be removed and repaired in time. Come to our website for more relevant content http://www.lebigueone.com Ask!
