一、樹立正確的臨摹觀，要注意以下幾方面問題
First, to establish the correct concept of copying, we should pay attention to the following problems
1.臨摹是手段不是目的。臨摹古法書，目的是掌握書法基本規范，而不是復制、重復古人。因此，臨摹必然要有一個進入與退出的過程，不能一味臨古，食古不化。
1. copying is a means, not an end. Copy the ancient book, the purpose is to master the basic calligraphy norms, rather than replicate the ancients. Therefore, it must be a copy of the entry and exit of the process, not only the ancient, ancient.
2.臨摹法帖，在探求筆法，而不是刻畫外形。臨摹的目的是弄清其筆法規律、所致之由，由個別而掌握一般，而不是機械描摹其形狀。運筆方法不對，即使一點一畫都描得十分逼真，那也無益于對書法筆法、規律的掌握。
The 2. copy in search of key strokes, Fateh, rather than depict the shape. The purpose of copying is to make sure that the rules of the writing style are caused by the individual, and not by the machine. The method of writing a pen is wrong, even if the one point one paintings are very realistic, it is not conducive to the handwriting, the law of the master.

3.臨摹以掌握筆法為目的，不以外形描摹為目的，決不意味著臨摹者可以任意發揮。相反，為了使臨書者能準確掌握筆法技巧，建立在正確方法基礎上的“形似”也是十分必要的。
3., copying to grasp the purpose of writing, not to portray the purpose of the shape, does not mean that the copy can be played arbitrarily. On the contrary, in order to enable the book holder to master the technique of writing accurately, it is also necessary to establish the similar form on the basis of the correct method.
二、書法與文學的關系
Two, the relationship between calligraphy and Literature
書法和文學，都是人生激情的吐露，兩種藝術雖屬不同藝術類別，但在精神與表現上，卻息息相通。書情的暢達，可以推動文思的妙響;文思的高逸，也可帶動書意的高翔。
The calligraphy and literature, is a passion for life out, two kinds of art belong to different art categories, but in spirit and performance, but it. The book of accessibility, can promote the Vince Evans wonderful sound; the beauty, also can drive the book of Gao Xiang.
三、隱含的書法“生態形式”及其結構
Three, the implied "ecological form" of calligraphy and its structure
書法藝術的文化生態形式由以下幾個層次組成：(1)文字語義層;(2)筆墨外形層(點畫儀態、結構樣式);(3)墨象層(筋骨肉血、精神氣質);(4)歷史文化層(性情道德倫理)。
The ecological culture form of the art of calligraphy is composed of the following parts: (1) the text semantic layer; (2) the ink layer (stipple shape deportment, structure style); (3) like ink layer (and the flesh and the blood, spirit); (4) historical and cultural layer (nature ethics).
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